Block, Richard. "Mourning Becomes Electric: The Disappearing Act of AIDS." CR: The New Centennial Review, vol. 21 no. 2, 2021, p. 55-82. |
Publications, Essays |
21st Century, Comparative Literature, Film/Cinema, History, Literature and Other Arts, Philosophy, Queer Studies, Visual Culture |
Bradley, Hannah. 2021. "Rumors of Nature: An Ecotranslation of Ulrike Almut Sandig’s “so habe ich sagen gehört”" Humanities 10, no. 1: 14. https://doi.org/10.3390/h10010014 |
Publications |
Ecocriticism, German, Poetry and Poetics, Translation and Interpretation |
Brandl, K. K. (2016). Task-based Instruction and Teacher Training. In N. van Deusen-Scholl (Ed.) Second and Foreign Language Education (pp.1-14). Vol.4. Springer Verlag. |
Publications, Essays |
Language Pedagogy |
Brandl, K. K. (2016). Task-based Instruction and Teacher Training. In N. van Deusen-Scholl (Ed.) Second and Foreign Language Education (pp.1-14). Vol.4. Springer Verlag. |
Publications, Essays |
Language Pedagogy |
Brandl, K. K. (2021). Communicative language teaching in action (2nd Ed.). San Diego: Cognella, Inc. |
Publications, Books |
Applied Linguistics, Language Pedagogy, Second Language Acquisition |
Brigitte Prutti. Grillparzers Welttheater: Modernität und Tradition. Aisthesis Verlag: 2013. |
Publications, Books |
19th Century, Austrian, Drama, Literature |
Brigitte Prutti. AISTHESIS Essay 34. Festzertrümmerungen: Thomas Bernhard und seine Preise. Aisthesis Verlag: 2012. |
Publications, Books |
Austrian, Literature |
Brigitte Prutti. „#MeToo: Don Cäsar und Lukrezia. Kollateralschäden in Grillparzers Bruderzwist in Habsburg.“ In: Philologie im Netz 90 (2020), pp. 35-86. |
Publications, Essays |
Austrian, Comparative Literature, Drama, German, Literature, Philology |
Ellwood Wiggins and Martin Wagner. “Radical and Moderate Sturm und Drang.” Introduction to Special Issue of German Life and Letters, 76.1 (2023): 1-20. |
Publications, Articles |
18th Century, Aesthetics, Critical Theory, Drama, German, Intellectual History, Literary Criticism, Philosophy |
Ellwood Wiggins, "Enduring Myth: The Survival of the Unfit in Sophocles, Heiner Müller, Ursula Krechel, and Hans Blumenberg," The Germanic Review: Literature, Culture, Theory, 95:2 (2020): 94-113. |
Publications, Essays |
Classics, Comparative Literature, Drama, German, Intellectual History |
Ellwood Wiggins, "Pity Play: Sympathy and Spectatorship in Lessing’s Miss Sara Sampson and Adam Smith’s Theory of Moral Sentiments," in Performing Knowledge, 1750-1850. Ed. Mary Helen Dupree and Sean B. Franzel. Berlin, Boston: De Gruyter, 2015. 85-112. |
Publications, Essays |
18th Century, Aesthetics, Comparative Literature, Drama, Performance Studies, Philosophy |
Ellwood Wiggins, "Stage of Exception: Politics and Theater in Shakespeare's Troilus and Cressida," Early Modern Literary Studies 22:2 (2022). [https://journals.shu.ac.uk/index.php/EMLS/article/view/303] |
Publications, Essays |
17th Century, Classics, Comparative Literature, Drama, Intellectual History, Political Science, Reception Studies |
Ellwood Wiggins, "The Tragic Idealism of Double Consciousness: W.E.B. Du Bois's Souls of Black Folk and Friedrich Schiller's Naive and Sentimental Poetry," Monatshefte 115/3 (2023): 344-64. |
Publications, Articles |
18th Century, 20th Century, Comparative Literature, Intellectual History, Philology, Race and Ethnicity, Reception Studies |
Ellwood Wiggins, "The Myth of Tragedy: Fictions of Dialogue in Mendelssohn's Letters on the Sentiments and Shaftesbury's The Moralists," Lessing Yearbook/Jahrbuch, XLIII (2016): 35-54. |
Publications, Essays |
18th Century, Aesthetics, Comparative Literature, German, Intellectual History, Jewish Studies, Philosophy |
Ellwood Wiggins, trans. Rüdiger Campe's The Game of Probability: Literature and Calculation from Pascal to Kleist. Stanford University Press: 2013. 504 pp. |
Publications, Translations |
17th Century, 18th Century, Comparative Literature, Game Studies, German, Literature, Philosophy, Science and Technology |
Ellwood Wiggins, “Depicting Artist and Viewer: Performed Aesthetics in Kālidāsa’s Śakuntalā,” The International Journal of the Arts in Society, 6/6 (Sept. 2012): 179-192. |
Publications, Essays |
Aesthetics, Drama, Performance Studies, Visual Arts |
Ellwood Wiggins, “Depicting Artist and Viewer: Performed Aesthetics in Kālidāsa’s Śakuntalā,” The International Journal of the Arts in Society, 6/6 (Sept. 2012): 179-192. |
Publications, Essays |
Aesthetics, Drama, Literature and Other Arts, Performance Studies, Visual Arts |
Ellwood Wiggins, “Depicting Artist and Viewer: Performed Aesthetics in Kālidāsa’s Śakuntalā,” The International Journal of the Arts in Society, 6/6 (Sept. 2012) 179-192. |
Publications, Essays |
Aesthetics, Drama, Literature and Other Arts, Performance Studies, Visual Arts |
Ellwood Wiggins, “The Latent Radicalism of Aristotle and J.M.R. Lenz,” German Life and Letters, 76.1 (2023): 150-172. |
Publications, Articles |
18th Century, Classics, Comparative Literature, Critical Theory, Drama, German, Intellectual History, Literary Criticism, Performance Studies, Reception Studies |
Ellwood Wiggins, "Cold War Compassion: The Politics of Pity in Tom Stoppard’s Neutral Ground and Heiner Müller’s Philoktet," Literatur für Leser, 4-15 (2015): 255-269. |
Publications, Essays |
20th Century, Classics, Comparative Literature, Drama, German, Reception Studies |
Ellwood Wiggins, Odysseys of Recognition: Performing Intersubjectivity in Homer, Aristotle, Shakespere, Goethe, and Kleist (Bucknell UP: Lewisberg, PA, 2019), |
Publications, Books |
18th Century, Classics, Comparative Literature, Drama, Intellectual History, Performance Studies, Philosophy, Reception Studies |
Ellwood Wiggins, "Kleist's Four Causes: Narration and Etiology in Das Erdbeben in Chili" MLN 130.3 (2015): 580-606. |
Publications, Essays |
18th Century, 19th Century, Classics, Literary Criticism, Novel/Prose Fiction, Philosophy |
Eric Ames. "Spoofing Herzog and Herzog Spoofing." Transit 6(1). TRANSIT, Department of German, UC Berkeley: 2010. |
Publications, Essays |
Film/Cinema, Media Studies, Visual Culture |
Eric Ames. Aguirre, the Wrath of God. British Film Institute: 2016 |
Publications, Books |
20th Century, Film/Cinema |
Eric Ames. Carl Hagenbeck's Empire of Entertainments. University of Washington: 2008. |
Publications, Books |
19th Century, 20th Century, Culture, Film/Cinema, Popular Culture, Visual Culture |